Beautiful and Exciting Music for Belly Dance Performance &
Just Good Listening ---
On-line sales only within the
U.S.
For orders outside of the
U.S. we recommend that you visit MAQAM at http://www.maqam.com/ where all of Mary Ellen Donalds products are available for
purchase.
Beautiful and Exciting Music for Belly Dance
Performance & Just Good Listening |
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Gems of the Middle East CD's
These CD's feature Mimi Spencer on qanun (zither) and
voice, and Mary Ellen Donald on doumbec and tambourine. An often
recorded instrumentalist, Mimi Spencer made her singing debut as a
recorded vocalist in the Gems series, singing in five Middle Eastern
languages.
The Gems CD's reflect the rich musical
partnership that had developed between Mimi and Mary Ellen as they
performed together for over 20 years. Each CD contains 15 pieces
with an ample supply of entrance pieces, slow pieces, drum solos, tip
music, and finale music. The drum solos are hot, uniquely
constructed, very danceable, and a perfect length with deep resonant
sounds of the djembe bringing to them an African flavor.
Good News for Belly Dancers!
With
the use of readily available duplicating technology, you can piece
together selections from the Gems CD's in a wide variety of
combinations creating all kinds of new dance routines of your
choice. The timing for each piece is noted to help you fulfill the
timing needs of your performances. The advantage of making dance
routines with pieces from the Gems CD's is continuity of music, the
same band, not a hodgepodge of 3 or 4 different bands thrown together.
Praise for the Gems CD's:
"This is the
best recording of Middle Eastern music I've ever heard, so balanced and
clear."
- Abdallah Kdouh, oudist and singer.
"Great; that's
how the tambourine ought to sound on a recording."
- Tony Lammam,
drummer and tambourinist.
Gems
of the Middle East: Belly Dance Favorites from Egypt, Lebanon, Turkey, and
Greece
(released on
cassettes, 1999; remastered and issued on CD's, 2002)
Why you should get the books along with the
Gems CD's.
Dancers, your performance can be more powerful
if you know the rhythm changes in your music. Drummers, it is so
important to understand the rhythmical structure of the music so that you
can play it with authority. Instrumentalists, your melodies will
come alive if you know what rhythms support them.
Gems of the Middle East Books: A Rhythmical Analysis (1999)
All books in this series are
spiral-bound with protective laminated covers, 8 by 11
inches.
In the Gems books, Mary Ellen makes a
ground-breaking contribution to Middle Eastern music education by
presenting a complete rhythmical analysis for each piece on the
corresponding CD's with numerous musical transcriptions of the fancy
patterns actually performed on the CD's.
To learn how to play the rhythms mentioned
in the rhythmical analysis in the Gems books, we recommend the
Middle Eastern Rhythms CD's. On these CD's, Mary Ellen plays each
rhythm for 4-5 minutes on doumbec and tambourine. We invite you to
visit CD's
Designed for Extended Practice, where the Middle Eastern Rhythms CD's and Practice Music For Drummers and Dancers are described.
To learn how to play the rhythms mentioned
in the rhythmical analysis in the Gems books, we recommend the
Middle Eastern Rhythms CD's.
For books and CD's in which Mary Ellen gives
in-depth presentations on the playing of doumbec, tambourine, tar, and
cymbals we invite you to visit Instructional
Materials for Doumbec, Tambourine, Tar, Cymbals & Belly
Dance.
(1979, reissued 2008)
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First issued as an ablum in 1979,
co-produced by Bert Balladine, the
legendary belly dance instructor and performer and
Mary Ellen Donald: re-issued on CD in 2008 by Mary Ellen Donald
Featuring: Three musicians who
came over from Egypt to perform at the King Tut exhibit in San Francisco
in 1979; full length dance routine; hot drums; electrifying bass
solo
Music that meets the needs of those
performing traditional Belly Dance and American Tribal Style as
well.
Special Note: Music from this CD serves
as the major part of the sound track for the DVD, Once More Feeling,
a tribute to the legendary belly dance instructor and performer,
Bert Balladine also available on this site. |
To hear a song
sample, please click on
"Listen"
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1. |
Treasures:
A complete belly dance routine excerpted from Kariat el Fingan |
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2. |
Egyptian
Drums: Maqsoum, libi, and karachi rhythms. |
Listen
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Listen
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3. |
Samah Al Nobah: Mizmar with sa'idi rhythm |
Listen
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Listen
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4. |
Bert's Baladi: Heavy baladi percussion with bass guitar solo |
Listen
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Listen
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5. |
Desert Dance:
Lively village sounds (6/8, 2/4 rhythms) including nay taqsim |
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6. |
Sama'i Suite:
Sama'i (10/4), fallahi, fast chifte-telli, syncopated 4/4, baladi
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One 45 minute,
CD
US $15.00
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Tracks 1, 2 and 3 features Mary Ellen
Donald on doumbec and tambourine, Yoko Abe on violin and viola,
and various Egyptian musicians who traveled to San Francisco
to perform with the King Tut Exhibit in 1979. They are
Magdy Helmy on nay (cane flute) and mizmar (reed instrument),
Yusef Mostafa on doumbec, and Galal Ktob on tambourine, duff,
and mazhar.
Tracks 4, 5 and 6 features Mary Ellen
Donald on doumbec, tambourine, and cymbals, Michael Gruber
on woodwinds and metal drum, and George Mundy on bass guitar. |
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Nazir Latouf, popular
West Coast musician and composer.
Nazir Latouf: Vocals, Oud,
Accordion & Keyboard
Reda Darwish: Percussion
Yousef Mustafa: Tabla
Summer Latouf: Nay
Susu Pampanin: Percussion
Music and lyrics written,
arranged & produced by Nazir Latouf except composition of
*. |
Arabian
Passion (2003)
Arabian
Passion has something for
everyone!
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Mimi
Spencer |
Right
Where I Want To Be (2001)
Music from Egypt,
Turkey, Armenia, Greece and the heart of Mimi Spencer,
Qanun
Artist
Mimi Spencer: qanun (Middle Eastern zither)
Vince
Delgado: riqq (tambourine)
Tom Shader: acoustic
bass
Elegant trio rendering impeccably Mimis favorite pieces
of music, including two originals.
Mary Ellen: Mimi
Spencer, my dear friend and musical colleague for over fifteen
years, was a perfectionist, a passionate musician, and a sensitive
artist. All of these qualities shine through her music on this
CD. Mimi was very happy right after its release. She
told me that the actual sound of her qanun was the richest that had
ever been recorded of her. Right Where I Want To Be should
be right at the top of your list of Middle Eastern music to be added
to your collection.
I could not carry a tune until I was
about six years old, and my mother feared I was tone-deaf.
Naturally I became a musician. After that, I studied classical
European music (college music major); Japanese and Korean music and
ethnomusicology under Dr. Robert Garfias; classical North Indian
music with Dr. Ali Akbar Khan, Shankar Ghosh, Sanjukta Ghosh, Mr.
& Mrs. Jnan Prakash Ghosh; and Middle Eastern music with
Ishmael, Vince Delgado, Dr. Ali Jihad Racy, Muhammad al-Akkad,
Necati elik, Gksel Baktagir,
Halil Karaduman, Georges Lammam, to name a few. |
Ive also learned much from the many musicians with
whom Ive worked, notably Yusuf Pasha, George and Jad Elias, and
George Dabaie. Ive recorded CDs with many people including
Jazayer (my band), and studio work for Mickey Hart and George Lucas
(with composer Larry Rosenthal) among others. Ive written
five books of musical transcriptions; I am the president of
nonprofit Near Eastern Music West, Inc. and I publish a newsletter, The Near Eastern Music Calendar.
I rarely play
anything the same way twice. Usually this is on
purpose.
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Valentine to Eden
(1985)
Doug Adams and
Light Rain
Doug Adams featured on guitar, violin, recorder,
dulcimer, voice, and guero and Mary Ellen Donald on doumbec and tar
(wooden frame drum), mazhar and tambourine.
All original
compositions by Doug Adams
East West sort of flavor: that is,
Western melodic structures and instrumentation and Middle Eastern
rhythms and percussion instruments. Definitely music that
invites you to dance or just sit and listen with a smile.
Mary Ellen: Shortly after the release
of Valentine to Eden, the Oakland Ballet fell in love with the
selection Tar Marmalade and decided to include it in their
performance repertoire. They invited Doug and me to play it
with them for Friday and Saturday night performances at the famous
Paramont Theater in Oakland. Needless to say, we were thrilled
and honored at the prospect of performing at such a prestigious
venue. Then it suddenly hit us that Tar Marmalade was
an eleven minute improvisation which a duo had choreographed to beat
for beat. There was no way that Doug was going to be able to
repeat what he did on the guitar. The burden fell on my
shoulders. I had to count over one hundred measures in a row
of the baladi rhythm, switch to malfouf for a certain number of
times and change again, etc. The pressure of keeping track of
all of those measures, I must say, took away some of the thrill of
our performance. And we did it!
Light Rains
first album, Dream Dancer, was recorded in 1977 and became an
underground hit. It was embraced by listeners and dancers
across the United States and around the world. Dream
Dancer was discovered by the Joffrey Ballet who set a dance to
some of its music. The Joffreys dance, also named Light
Rain, became known as their signature work with audiences demanding
to see (and hear) it year after year in the worlds finest
theaters.
Light Rains music was featured in
the Robert Altman movie about the Joffrey Ballet called, The
Company.
Dream Dancer helped set the stage for an avalanche
of music labeled New Age and later World Beat. Light Rain
followed up with their albums Dream Suite (featuring guest
artists The Kronos Quartet), and Valentine to
Eden.
After a long break from their mid-eastern musical
explorations, in 1994 Light Rain burst back into the world-beat
arena with the powerful and exotic CD Dark
Fire. |
Doug Adams: Violin, Guitar, Recorder, Dulcimer, Voice,
Guero
De Ann Adams: Finger Cymbals
Darrell Adams: Bass
Mary
Ellen Donald: Doumbec, Tar, Mazhar, Tambourine
Laura Roland:
English horn, oboe
Joan Jean-Renaud: Cello
Scott Le Vally:
Congas, Cabasa, Bell
Rick Phillipp: Cymbals, Chimes, Bells, Vibra
Slap
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